With the single exception of one key scene, the film is not based on building an emotional relationship with the audience, but is rather a vision of a possible future. The issue of the use and processing of personal data has become increasingly important in today’s world. It was important to me to present the near and immediate future in the film. The first act is set in the present and this allows the audience to refer to what they see. The epilogue set in 2019, presents the world we know one or two steps further along. This is not a sci-fi film.
B. 1987, studied at the Faculty of Media Art and Stage Design of the Academy of Fine Arts in Warsaw (2007–2010 and 2011–2013) and Andrzej Wajda Master School of Film Directing (2010–2011).Scholarship from the Rector of the Academy (2008/2009, 2011–2013), and Minister of Culture and National Heritage (2009/2010). Active in the field of film and photography. Assistant to the director during the making of Magda, dir. I. K. Stelmach, 2009; stand-by-prop trainee in The Ghost Writer, dir. R. Polański, 2010.Solo exhibition LittleBigChina, Institute of Chinese Culture, Berlin 2010. Received the Minister of Culture and National Heritage Award, 2012. Third prize at the Deutsches Jugendvideofestival 2005, honourable mention at the 4th Festival of Art Photography in Warsaw 2008 and multimedia festival Nice to meet you, Berlin 2008; third prize at the international multimedia festival Szajna Multimedia Festival – Rzeszów 2008; special award for innovative narrative technique (in Next) at Deutscher Jugendvideopreis 2011.